Posts in mixed media collage
Fine art collage artist creates with a new contemporary collage style
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Last week I introduced my new series of contemporary collage artwork. This week I begin the process of explaining my methods and how I created my new collage painting - Reflections Door.

As a fine art collage artist I am always trying to invent new styles for my work. This contemporary collage painting created with mixed media materials was an incredible fun experience. This first step is always the same for my artwork - creating a black and white study.

I complete this 6” x 9” black and white study on greyed paper using charcoal pencil, white charcoal and white pastel. I am following a photograph of a door in a town where I once lived. It is a white door and means it is a gateway to the soul and to the purest part of one’s being. I have set up mirrors like works of art in three of the windows. In each mirror is a reflection of the figure standing in the door. These reflections send back to the figure knowledge about his soul and being. This particular door is called “Reflections Door” and is the entrance to “Reflections Gallery.”

Next I beging the process of applying mixed media materials to my new collage painting. I glue sawdust down to the 24” x 36” gallery wrapped canvas. I decide to leave the space in the middle relatively smooth while the areas on the left and right side are covered with sawdust. As always I use Liquitex gloss medium and varnish as my go-to glue for this messy job of glueing down

I debate, also on what color paint to use for the outlines of the door and storefront. Blue comes to my mind. I don’t know why but because the door is white, blue seems to be the natural color to use. As I go through the pieces of mixed media materials that I would like to incorporate in my new contemporary collage painting I think blue will show up well against the pink background. I intend to draw out the composition using blue paint instead of a pencil or charcoal.

I start to measure the placement of the door on the black and white study, then multiply the measurements of the study by 4. That is my multiplier. If my study is 6” x 9’, I need to multiply both of those numbers by 4 in order to get the measurements of my canvas which is 24” x 36”. So every measurement on my study gets multiplied by 4 to arrive at my measurements on the canvas.  

With blue paint and brush, I draw in the door first, then add the rest of the building, the sidewalk, and light post. I draw in the figure standing in the doorway. I add the flower baskets on the windowsills and also the two flower pots on the sidewalk. Finally I add the easels with the reflections of the figure in three of the windows. My drawing is complete.

Drawing with a paint brush is not done without caution. It is difficult when doing it this way. Mistakes can not be fixed easily. Any error is corrected by painting over the errant marks with my pink paint which I used for the underpainting. This is much more difficult than if drawing with pencil where an eraser can be used. The advantage to drawing with paint is that it will be interesting to let some of the blue show through on my finished painting as well as the pink underpainting. It will add a depth not obtained with a pencil drawing where I would want the pencil marks to be covered with paint.sawdust.

After the sawdust dries, (about a day), I am able to cover the surface with white gesso. I carefully cover up the big hunks of sawdust with the gesso. I want to be sure to get into every nook and cranny.

Fine art collage artists before me and after me will all have the same questions that are going through my mind - what color would I like for my underpainting. But I decide that would make the painting a cool one. Not exactly what I had in mind. I want my painting to be warm and friendly. I decide on a pink color.  It has warm overtones and will be an effective color for an underpainting. I mix up red-purple with white gesso until I get the exact value of pink. Not too dark and not too light.

Next week I’ll get into the first application of paint!

Creation of new collage paintings by a fine art collage artist
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New contemporary collage artwork!

I am so excited about the new contemporary collage paintings coming off my easel. My new studio has created quite a stir in my creative self and I am venturing out into the world of doors, buildings and people. Yah!

I recall my university class in linear perspective. We had a grand time drawing buildings, ramps, stairs, archways, rooftops, to name a few of the penciled constructions we made. I thoroughly enjoyed this class. So now, I am using my skills in perspective to draw doors and storefronts and buildings of all sorts. The sky is the limit. I have many, many black and white studies completed which are awaiting a turn at a blank canvas.

I also am going to include figures in my work. They may appear alone or along side the door or building. I am excited to draw these figures from my imagination. They may resemble friends or strangers or whomever I feel like drawing. I like to pretend that I am facing the person I am drawing and then I draw all the features associated with that person. They are almost like caricatures, but not quite. Their facial features are absent because I want you to place anyone you know into that face.

The quirky thing, though, about my doors, buildings and people is that they are skewed and come across the canvas as being crooked, slanted, exaggerated or minimized. This is how I interject humor into my paintings. To not have a precise and perfect rendition of a building or person is not sacrilegious. It is having fun with objects and people. It is giving them more personality, rather than cloning bland replicas of these things.

All of these subject matters for my paintings have a story to tell. For instance, doors have meaning. There are many colors of doors each of which has a specific meaning. There are open doors and closed ones. Broken ones and intact ones. Doors with lights shining from behind. There are revolving doors and doors which open at the top and not the bottom. Well, the list goes on and on. But the important thing to know is that each kind of door can mean something in either mythology, religion, literature, films, dream interpretation or psychology.  WOW!

Did you know that if you dream of a revolving door, you probably feel like your life is going around in circles.  Perhaps, you have an issue at work and you can’t seem to direct your associates attention to one particular detail.  Instead you find yourself having to explain and reexplain all over again so many times. Yes, you are going around in a revolving door and can’t get out.

Now the people I paint have their own personality and story to tell. I imagine my people being actively engaged with their surroundings and with others. Many of my people will be doing something, usually a simple thing. Perhaps a person will be eating or painting at an easel or reading a book. The sky is the limit.

So now you know, I do doors, buildings and people and I do skewed, funny looking ones. But how do I do them. What technique do I use? I continue to love painting with acrylics and doing collage with papers and other found materials.  My new work features these two tried-and-true techniques.

Come find out how I created “Reflections Door.” In the coming weeks I’ll describe my process!

Finishing my collage painting
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All done! Well - not yet. Two more steps before I finish my latest contemporary collage painting.

I decide to change the yellow seen in Step #16 to a softer version of yellow. This yellow is mixed with white and with a very, very small speck of blue added to it. It helps to cut down on the vibrancy of the yellow. I like this color, finally. Whenever I arrive at the end of a painting I am always looking at the fine details to see where I can make slight adjustments.

I lightly add some warm reds on the dark background. I also playfully add painted marks with light and dark turquoise. The larger ropes are scumbled again with this new yellow.

My signature goes on the bottom left and I think I am done…… but wait there is one more step.

One of the fun parts of creating fine art collage in abstract is that I get to decide what the orientation of the collage painting is - not the painting itself.

I decide to test out orientations of this painting. Almost immediately I know that a change in the painting’s orientation is needed. I think it needs to be turned counterclockwise 90 degrees. Suddenly it comes alive and I know that I am finished.

The viewer’s eye can follow the red path into and around the painting. Before I rotated it there was no access because the red line grew from the “ground” and never moved.  

I quickly remove the old signature and add a new one at the bottom left of this now vertical piece. The metamorphosis from ugly painting to a harmoniously and delightfully colored painting has just occurred right in front of my eyes. I think it has a mind of its own. It just had a hard time telling me what it needed.

I hope you enjoyed reading about my latest abstract fine art collage painting. As a contemporary collage artist I never know where mix media collage will take me - my next paintings are very very different and I can’t wait to share them with you!

Collage artists stepping back to step forward

All collage artists get to a point in their collage painting where they reflect and try to determine whether the path they have embarked on is one on which that they would like to continue. Famous collage artists and contemporary fine art collage artists come to this critical juncture and sometimes decide that they would like to make alterations to their collage painting. I am no different - I have come to a point in my collage painting where I decide that I need a little remediation.

I decide to take this remedial step of painting certain areas white in order to be able to later paint these areas in a way unaffected by the colors underneath.  It is like starting over from scratch in these white areas. Also, some of the paint is removed from some of the collaged papers by using rubbing alcohol and a paper towel.  A light rubbing with this solvent partially erases the color. This allows me to re-envision that collage painting.

I guess the famous collage artists that I studied under were right all along! - collage paintings have layers and layers - most of which only the fine art collage artist sees.

I complete two major things in this step.  First, I change much of the circle in the center by covering it with a yellowish green.  I also add pure yellow to a few edges. I scumble the thick rope with yellow.

Second, I paint the background areas with a very dark green.  I decide I wanted this main shape to stand out. If painting this main shape with bright colors isn’t working, perhaps those areas would stand out from an almost black background.  Sure enough, it did.

Finally more collage papers are revealed by using rubbing alcohol, in the areas where the color needs removed.

This has been a fun and unpredictable step in my newest collage paining. Enjoy!

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Collage painting with colors by fine art collage artists
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Fine art collage artist turns to color woes in contemporary collage painting

Many fine art collage artists use the element of color as attraction for viewer eyes. When I use color I use it for many reasons, and this is definitely one of them. That being said it can also prove to be very challenging to work with. When you’re working with different shapes, colors, and materials, deciding which attributes compliment each other requires skill and most importantly patience.

As I work through this process I add more yellow, yellow-green and a speck of white to my circle area on the collage painting.  Some greens begin to appear in various areas and I add several yellow dots under the title words.

I am searching, searching, searching for a color which will transform the entire collage painting from one of gaudy vibrancies into a more subdued color arrangement. I admit, as a fine art collage artist who has created pieces before - I am struggling because I am not sure which direction to turn or what color to try.  

Finally I add a medium turquoise wash over much of the background and over the horizontal bar extending to the left and right edges.

Famous collage artists have taught me that not all colors have to be present in the collage painting for them to be noticed. I add light and medium blues to the inner circle still maintaining the view of the title words across the top.  Much of the yellow has been covered including small dots of yellow. Also, the tone of the red-orange has been made more subtle.

It seems like every step provokes an obstacle.  Sometimes I feel like I am taking a stab in the dark.  I am apt to try anything, any color at this point.

Until next time!

Collage artist searching for colors
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One of the challenges of being a contemporary collage artist is trying to find the proper colors to accentuate my new collage artwork. Color is very important. Collage art is a visual art - it beckons the viewer to explore the canvas and find new hidden treasures.

Famous fine art collage artists all use colors along with their mixed media materials to bring the viewer on a journey into their creative being. In the following steps I want to take you on a journey - on my color wheel!

Unsatisfied with the meekness of the red-orange lines, I decide to widen and add to this colored line. I add a patch of orange to the inside of the circle which is a bit to the upper right of the center circle. I also scumble on a red-orange color on top of the two thicker ropes on both sides of the painting. I am beginning to search for a color scheme which I will like. This one seems too overpowering. I want to tone it down somehow.

In this step I tone down the bright orange color by changing it to a golden yellow. I color some of the paper at upper center. I also touch the raised circles with bits of yellow paint. Some yellow is scumbled on top of the thick rope. A bright red-orange is scumbled over the applied sawdust.

This color scheme is a triad using three primary colors. These three colors are evenly spaced around the color wheel. Am not really happy with this development in my painting. It appears to be too vibrant, something which I had hoped wouldn’t happen.

I hope you enjoyed the journey on my color wheel!

All Collage artists have stories behind their paintings.
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All collage artists have stories behind their paintings. From novice collage painters to famous collage artists, all who endeavor to create with multimedia materials have a ryhme or reason behind the placement of pieces and thoughts.

“Going to the Sun Highway” is titled after the famous roadway in Glacier National Park. After a recent visit to the area I was inspired by the way the sun appeared over the horizon and seemed to lead our road to infinity. The golden twine in this piece follows the road and is swallowed up by the sun which appears at the end of the highway.

As a collage artist I love to find inspirations everywhere I go. And I love to use everything (to a limit) to express these inspirations on canvas. Contemporary collage painting is a process and it all starts with an idea. Unlike conceptual paintings, my ideas are something concrete, something that I have seen and interpreted on canvas. I hope you enjoy.

Adding textures as a collage artist
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Collage artists have all been in positions of having to know when to stop the base layering and begin the textured layers that will be prominent in the final collage painting.

I, contemporary collage artist, find myself at this crossroad. I start adding layers and textured items to my new collage painting. As we begin to highlight segments I try to make use of different mixed media materials in differing sections of the new collage painting. Balance in important - otherwise the eyes will be stuck in one particular section and not wander - which, afterall, is the theme of my highway series.

During this process I try to add layers and materials that increase the amount of visual and textile textures. If there’s one thing I learned from the many fine art collage artists who I have studied under, it’s this - keep things interesting!

Self-made and manufactured collage papers are attached as well as colored papers and paper dollies painted violet.  A dark blue fluid acrylic is then used to make a spiral line around the center circle shape which goes out from the picture plane at bottom right.  Some of the sawdust protrusions within the center circle shape are topped off with an orangish red color, enough to add interest but not be distracting.

Additional light turquoise paint is washed over much of the painting.  Then a dark turquoise is added to two areas on the circle’s circumference.  Red-orange and orange fluid acrylic lines now travel around the circle. This paint is added in drops which often blend together into a solid line.  The tops of the ropes are lightly brushed with orange paint. It is more visible on the dark blue pieces. I try to maintain the lettering of “No Place To Go”.

In the close-up that I have placed in this blog you can see all the fun textures created from papers and colorful paints. A close-up view shows a lot more going on here than meets the eye from a distance.

As a contemporary collage artist - I’m still having fun. I hope you have enjoyed the read. Until next time!

Placing the Collage Painting pieces together
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As the collage painting begins to take shape I now have the pleasure of placing the mixed media materials onto the new canvas. Many fine art collage artists and contemporary collage artists use this period of assembly to define their edges and place the “story” of their collage painting on paper.

One of my favorite mixed media materials to work with as a contemporary collage artist is rope. Collage artists use rope to direct viewer’s eyes and to set the horizontal and vertical perspectives.

I have been looking at these huge pieces of rope which I acquired some time ago, wanting to use them in a painting.  Some of the rope is larger in diameter than a man’s thumb. It’s hard to tell what this rope might be used for. It might be used on boats and docks.  It couldn’t be for rock climbing because it is so large and heavy. Anyway, I decide to use it here. I collect samples of different rope sizes. I want to glue the pieces down next to each other in increasing rope sizes.  So this is what I have done on the left side of the painting. I begin with a very small diameter rope on the left and then continue to build up the sizes of the ropes as I moved towards the center of the painting. There are seven rows of different rope sizes here.  I also add a few rows on the right side of the painting in order to balance out the composition.

What a hard time I have glueing the ropes down to the sides of the canvas which is 2.5 inches deep.  The ropes do not bend easily at a right angle to the front surface of the painting. I end up slicing part way through the rope on the underside just where it begins to bend onto the side of the canvas.  After glueing with gloss medium and varnish, I tape down these ropes really well with artists tape. I let dry overnight before removing the tape. The result? Perfect.

Once the rope pieces are placed and dried I commence filling in the background with turquoise. The main circular shape is painted with a light turquoise, then warmed up with yellow and apricot colors.  The background is also warmed with a dark, rusty red. Black lines define the inner track running horizontally across the painting.  Finally the thinner ropes are painted a light turquoise and the larger ropes are painted a dark turquoise.

Collage art creation has sped up and now the new piece is starting to come together!

Collage artist completes the base layering
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As I move onto the application of base layers on the collage painting I cross the threshold of where we see the underlying areas of canvas and enter the phase of visible collage painting.

Before I can begin this phase I have to consider the various colors I want to emphasis on the base layer. Contemporary collage artists use this base layer to set the foundation of the collage painting. Because of the importance of the base layer in collage mixed media I take this step slowly.

One of the most intense blues there is, phatholo blue (or turquoise), is applied in certain areas using a fluid acrylic. In some areas the fixative resists coverage with the fluid acrylics. I will need to add more opaque painting to these areas.

Most of the base underpainting is completed in this step. An intense black is used in the background, while the area where the title is, is kept clear of most paint colors. I am debating exactly how I want to handle this important area. I decided to leave it clear of color right now.

After this is all finished I am excited to start one of my favorite stages of collage painting - rope and fiber. Check back for updates!

Contemporary Collage Artist begins to paint
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Once I have laid out the bare layers of my new mixed media collage art piece I begin the fun of layering different parts of my painting. As a contemporary collage artists, I find this part very exciting. The layering allows me to just be free and place items on the canvas that might get covered up and never revealed.

Famous collage artists like to hide pieces within their collage paintings. I always reveled at trying to identify the many pieces that were meant to be hidden. I take this one step further by scribbling saying and phrases and covering them up forever - making them a part of the painting - unseen, yet integral.

Sawdusting is usually an important early step in the progression of my collage painting.  I glue sawdust down with gloss medium and varnish. I wait until it dries before beginning the next step.  Doing this glueing down of sawdust is a difficult and hard process. The brush gets exceedingly dirty and is hard to clean afterwards.  But the great effect outweighs the nuisance and so I continue to sawdust most of my work.

Many collage artists I have spoken with have the same feeling about certain materials - the end-result outweighs the effort.

After a layer of sawdusting on my new contemporary collage painting I begin writing and scribbling all over my painting.  I use a stencil to block in, with charcoal, the words, “no place to go.”  I mark down spirals and other words which come to my mind relating to the title.  I spray all these graphics with fixative. There will be many options later on in the development of this painting.  I can choose what I want to reveal or not, after I cover these areas with paint.

I hope you enjoyed the next two steps of creating my newest contemporary collage painting. Be on the lookout next week as I begin the base underpainting.

The Beginning of a Collage Artists creation
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In creating a new collage artwork I always like to visualize the layering of the mixed media materials before I place them on canvas. Painting in contemporary collage art allows me to utilize my creativity and spontaneity from conception to execution.

A simple value study is created with compressed charcoal, charcoal pencil and white charcoal pencil.  I like the lines and shapes and think it is simple enough to be a good candidate for an interesting contemporary collage painting. I decide arbitrarily to make this painting 24” x 36”.

After i have decided on the basic format of my new mixed media collage painting I begin to draw out the primary sketch on canvas. Flowing and easy-going lines and shapes are achieved in this step. I want these elements to be free and easy to look at and not stand out in an unusual way.

There is some overlapping of shapes and there are 3 stacks (or layers) in this particular painting. The 3 stacks look very much like highways stacked one upon the other. In real life, some highways can sport 5 stacks, but that is about the limit on the number of layers in a highway system. Three stacks is probably the limit in what I can successfully do in a painting. I want my painting, to have simple, yet bold shapes without being too intricate. I think this drawing will achieve this.

As the lines and shapes begin to take rudimentary shape on the canvas I get excited about the new contemporary collage artwork that I am creating. Fine art collage requires a step-by-step process of creation and I am thrilled to begin this process once again!

Collage artists' mixed media piece On the Straight and Narrow

Collage Painting Inspirations by a Collage Artist

“On the Straight and Narrow” speaks about falling into line, staying there, and not getting off track. It’s easy to veer off the beaten track and lose sight of where we are going. In this piece the dotted magenta lines show the way while large dark green “bushes” line the roadway.  There is no break in these bushes. All the more reason to stay on the straight and narrow.

Creating the mixed media imagery behind this collage artwork was an interesting experience. One of the questions I had to answer as a collage artist is how to incorporate abstract art lines while maintaining the perspective of a dotted line along the road.

I used circular lines contained within mixed media art materials to create the “bushes” and placed these “bushes” at intervals beginning in the front of the collage painting, working backward slowly, shrinking the “bushes” with each circle until I developed an perspective of retreat.

With this my collage painting had perspective and my dotted line keeps the viewer centered “on the straight and narrow”.

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Merging Heart and Soul - Collage artists' painting inspirations
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Using mixed media materials to create my collage art allows me to express feelings and how I seek to interact artwork with greater ideas of our existence.

Collage artists have the unique opportunity to use various materials to create their vision and statement on canvas. I limit myself to a handful of items that I like to incorporate into each mixed media collage. These include but are not limited to string, acrylic paint, twine, and paper.

“Merging Heart and Soul” is a blend of blue hearts and one pink heart amongst the blue spiral representing our soul.  The hearts appear to be drawn in by the soul because that is where they need to be. The heart and soul need to be together as one.  Why? It is the same as trying to separate the body from the mind. It can not be done. This painting gives permission for the heart and soul to combine.

I hope you enjoyed reading about the inspiration behind my collage art piece!

Collage artists' thoughts on a mixed media artwork
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Passages through life, through experiences, and through everyday tasks never go as planned. Wouldn’t it be nice if the way could be free and clear to pursue our desires and dreams. We could slip past all of our bad and unfortunate moments.

Being a collage artist allows me to construct artworks that speak to my desires and speak to my thoughts. Using mixed media art as my genre of collage art has enabled me to not only delve into thinking about the “greater things”. but it has also allowed me to have fun.

“Right of Way” shows a road passing by a circular path of multiple red colors. This blue-green road has the right of way and simply goes past all of the rest. In this collage artwork I chose to use string and contrasting colors to emphasis the “right of way”. This use of mixed media materials in my collage painting has allowed me to explore different avenues of expressing my thoughts on canvas.

All finished - Shortcut to the Party

A collage artists journey to creating a new artwork!

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The final steps of creating a collage painting is always interesting. As collage artists, this is when you place the finishing touches of mixed media materials. These tend to be the looser items that create the collage painting’s final texture and “feel”.

These can also be any mixed media materials that were left lying around the studio and were not used up during the earlier stages of the painting’s creation.

In this particular collage painting I wanted to add fringe to create a 2D/3D texture. To make the frilly fringe, a piece of kite string painted light purple is strung with strong, gold-colored thread. A crochet hook is used to loop the thread onto the purple string. The fringe is securely attached with gloss medium and varnish.  It is fun to swish this around with one’s hand, truly making this an interactive piece.

Another line of shorter fringe is added on the right side, by securely attaching it in the same manner as above. Short strands of orange string are scattered and glued down here and there.

Finally, a small party hat with diagonal, bright, yellow and blue stripes is attached to the surface. It is made with painted canvas and is trimmed at the bottom with a strip of blue painted canvas. This hat even has a small tassle on top.

It’s a Shortcut to the Party! This painting is ready to take you on a speedy shortcut to the party where confetti, fringe and hat create a festive mood. Have a party and please touch the fringe!

Collage artists have all the fun!

Now we start painting the mixed media collage. I always relish this stage in the process. As an collage artist that uses mixed media materials, once the foundational materials have been laid now I get to have fun playing with colors.

But don’t be dismayed! We are not finished adding materials! We’re simply using paint and materials together.

Green and yellow-green are added to the remaining parts of the paths within the collage painting.  Then twine is carefully painted with a light purple, a color with little chroma. Now that we have some paint on the canvas lets add some more fun mixed media materials.

Confetti dots are made by punching holes in different colors of yellow, orange, and red-orange papers. Shiny gold and metallic red papers are cut into small pieces with scissors. To adhere these small pieces to the canvas, a coat of gloss medium and varnish is spread over the areas to be covered with the confetti. It is then sprinkled randomly around the canvas in the glued areas. The dots and pieces are gently pressed onto the surface to make sure they stick well.

We’re making progress and having fun! I love being a mixed media collage artist!

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Collage Painting adds color and starts to take shape
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Once we have set our foundation to the collage painting I feel as if the mixed media art is beginning to form into its own unique work of art. It is at this time that my collage artists instinct kicks in and I decide what and how this collage painting will be colored.

Creating mixed media art with collage is more than simply adding mixed media materials to canvas and calling it a day. Collage artists have to envision how untraditional materials will interact with traditional materials such as paint and canvas.

In the next two steps of creating a mixed media collage I begin the process of adding my color scheme. An analogous color scheme is planned of blue, green and yellow.  A dark blue is first painted in the areas marked with xxx’s. I use these x’s to demarcate areas that will receive particular paints.

Next I add the contrasting colors to the collage painting by mixing cadmium yellow with sun gold to dilute the intensity of the yellow. It is then painted on some areas of the pathways.

With these two steps I have began the process of paining the collage and creating a collage painting!

Collage Painting begins to take shape
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Collage painting starts to take shape as mixed media materials are added

As I begin the process of laying the mixed media materials on my collage painting, I can begin to see the painting take shape. One of my goals as a mixed media artist who paints collage painting is to ensure that the layers of materials are placed in such a way as to create a flow around which the viewers eyes can navigate the painting.

This flow and navigation is even more important as my themes surround highways and the ways in which we travel.

STEP #5 - Close-up

A close-up of the extra materials added to the canvas - burlap, twine, gel medium and rubber mat.  My purpose in adding these mixed media materials to my collage painting is to create a texture that protrudes from the canvas.

STEP #6 - White gesso

After the materials are placed I cover the entire canvas with white gesso so that paint can be applied with less difficulty.  The of applying gesso is to preserve the shapes and texture after I apply the paint.

We have now graduated from placing the foundational mixed media materials onto the canvas and have set a good base of gesso onto which we can apply paint.

Painting the collage is to come!

Collage Artist discusses next steps in my new painting
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The key to creating a collage piece is layering different textures to create a flowing movement. Creating collage art in the mixed media format is fun because I get to use different materials to create my collage artworks.

STEP #3   Close-up

This is a close-up of the burlap. When first applying burlap I am aware that the viewer has to find purpose in all the collage art pieces I have placed. The small pieces of burlap are glued to the path with gloss medium and varnish and the two spaces between the burlap are the deep tracks made by a car driving through damp soil. The car leaves tracks in the mud as it tries to make its way to the party event.

STEP #4  Other Textures Collaged

Other textures are added to several more pathways for the art viewer to follow. A white gel medium is added to one path with a palette knife. Then it is spread with a piece of cardboard to leave peaks of gel all over the area.

Another path on the far right is covered with a bumpy, rubbery material often used under throw rugs to keep them in place.  This material is measured and cut to fit the path and the excess is glued to the sides of the canvas. More twine is glued in place.

So far I have just started my media media artwork. As a collage artists I can’t wait to continue placing new materials and advancing the artwork to showcase the journey, both figuratively and literally.