Posts in collage art
Collage paper added to new contemporary collage painting
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Contemporary collage painting has paper added to it! by a fine art collage artist

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This contemporary collage painting is getting more collage paper added to it. In the next 2 steps I add collage paper to the new collage painting. Some of the process is a calculated while other is a fine art collage artist having a great time! In this collage art blog I go over my process of adding paper - the why, where, and what!

I start having a free-for-all with the collage paper on the collage painting. I add it everywhere. In particular, the sconces have paper added on top of the purple paint. Now that I have all the purple “erased” I feel better. I add decorations to those sconces to really make them more interesting. Specifically, I add lined paper to the body of the sconce, then add silver foil to the top. Finally I add a large black circle which I place on the body of the sconce. This certainly gets rid of the purple, but I wonder if it is too distracting for the rest of the collage painting. I decide to hold off on judgment until more is done elsewhere.                 

Large sections of tissue paper are added at the bottom and top of painting.  Many small details here and there are added so that the piece is becoming more complex. I add silver roses to the right of the table. Also there is some squared paper which I add to the walls on both sides of the window. Finally the bananas get stripes up and down each part of it, not only on the one laying on the table but also the two in the bowl. I also add silvery designs to the table top itself.

I continue to work all over the contemporary collage painting, adding bits and pieces of paper. As a fine art collage artist it is important to balance the paper and colors in order to tell the story of the mixed media collage painting. I decide to add an apple to the left side of the table using red tissue paper. The mostly eaten apple on the right gets a twisted piece of paper added to it in order to make it look more 3-D. 

Another layer of netting is added to those dog-gone legs. Now they have ripples that look like there are big bunches of stuff underneath the netting.  How awful. What am I going to do? I put this issue aside for awhile.

I find some birds on a piece of collage paper, cut them out individually and  add to the trees.

I also add texture paper to different areas on the wall. I also add some silvery paper to a place where later on people will exclaim that they see a cat. Can you find this place? I had to have it pointed out to me, but the minute I saw it then I see it every time I look at the painting.

The last thing I do in this step is to darken the value on the stripes in the arms, only, on the girl’s shirt. I wanted to see if it was too strong for the piece or not. I think I like the colors being darkened a bit. What do you think?

I am starting to like what I see.

Collage painting gets the finer points
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Collage paper is added to a collage painting

As my collage painting comes to life I add some finer points to make the collage painting whole. As a fine art collage artist, these finer points can seem like they never end! However it is important to see this through in order to fill the gaps and bring all areas of the canvas to life.

I add collage paper in vertical strips to the right hand side of the collage painting. I use three different colors and textures. I also add decorations to the side of the table with small round disks; the bowl is covered with a silvery/gold paper; and her legs are padded with paper towels and covered with some netting. Net effect of the latter effort is the legs still look awful  But not to worry. A solution will be discovered.

I decide to use colored shiny paper in the trim around her neckline on the shirt and also around her wrists. I have made the decision to use shiny paper in at least two or three places in each of my figure collage paintings.

The purple sconces still remain and are becoming a problem/eyesore for me. I am not sure what to do with them. Questions remain about color and texture.

Finally in this step, I find large gold leaves on a piece of collage paper. I carefully cut them out and then apply them to the two trees in the window.  Even though the leaves are really, really too large for the tree, I like the accent they bring to it.

I am very happy with the results. Collage painting is always a series of experiments and so far this is turning out successfully!

New contemporary collage painting taking shape
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Contemporary collage painting takes shape

For the next steps of my contemporary collage painting I complete most of my drawing and start adding colors. Fine art collage artists relish this transition period where concept meets sketch and sketch meets color. Whenever I create a contemporary collage painting my excitement build during this stage. This is where I discover my new collage!

I continue measuring the rise and the run and plotting points until I am finished. I am pleased with how it is laid out on the canvas. The one issue I see, though, is how close the left sconce is to the side edge of the canvas.  It appears to be crowded next to the window opening and creates some tension. I plan to address that issue in the next step.

I like the empty space above the window and to the right of the girl. This will give me some room to either play up the collage work or to use this space for a resting spot for the eyes.

I “clean up” the drawing by using the underpainting color, pink, to cover over errant blue marks. It all seems to work well for me.

To correct the problem I mentioned in the last step, I move the left side of the window to the right about 4 - 5 inches. This gives the left sconce more room to exist without looking like it is being squeezed by the window.  There is still less space for the sconce on the left side than there is for the sconce on the right side. I like the unevenness of these spaces. It adds some interest.

I decide to test how the colors will look against the pink underpainting. I paint in the stripes of bright yellow and bright orangish red on the girl’s sweater top. Wow!

I can see how intense the orange and yellow really are. Do I like how the stripes are working out? I am wondering about this. These two colors seem very glaring on the pink underpainting. I think these colors would look too bright on any underpainting.

Once I have added some color to test how the foreground colors react to the background color I am ready to move onto the next step of “illuminating” my collage painting.

Contemporary collage artist creates a new figurative collage
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Fine Art Collage artist creates a figurative contemporary collage painting!

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Since becoming an artist I have created many figurative artworks. I am very excited that this current figurative artwork will be my first figurative contemporary collage painting. I am looking forward to creating a new fine art collage using contemporary art styles to depict a traditional artistic style.

This black and white study on greyed tone paper is done with charcoal, charcoal pencil, and white charcoal pencil. I imagine and then use parts of me in reality to pose for this girl sitting at a table looking forlornly at a mostly eaten apple and completely devoured banana.  

I have decided not to put a face on this figure because this way, more people can identify with her. I will be painting her face, later on, with gold paint.

I enjoy slanting and skewing some of the elements in this study. The table is awkwardly oval with curved sides. The bowl of fruit is irregular in a nice way. The figure is slanted and skewed in one direction. The window and sconces on either side of the window are crooked. Even the light emanating from the lit sconces is wavy and inexact.   

This canvas, 36” x 24”, is partially covered with sawdust planned for another painting which never materialized. I coat the canvas with a pink underpainting and am ready to go with my drawing.

I start at the bottom of the page and work upward. I am drawing with a paintbrush with medium valued blue paint. I am not using a pencil or any dry marking tool. Instead I draw with a brush by picking a point on my drawing and then determining the rise and run of this point. I can draw from point to point by measuring this way. It takes a long time to utilize this method. Interruptions are a bad thing at this point. What is the rise of a point? It is a measurement in inches of how high above the bottom of the paper the point is. A run is a measurement in inches of how far across (horizontally) the point is from either side.

Drawing the legs of the girl and the legs of the table and chair, became a challenge, but I feel I accomplished what I set out to do. I see the remainder of the drawing to be easier than this bottom part.  

Finishing my new collage paintings
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Fine art collage artist finishes a new collage painting!

I start my final steps in the creation of my newest collage painting by adding more white paint to various areas on the painting. Finishing up a collage is a very difficult time for fine art collage artists. When is the collage painting truly finished? I guess - only when a collage artist is ready to hand up the paint brush!

I tackle the lamp post. I have decided to paint thin lines down the post to simulate the ridges that are there. I use violet, medium blue and light yellow green to make the stripes. The violet is closest to the black on the right. Then there are two stripes of medium blue as I work my way to the left (light side of the post). Finally I add light yellow green to where the lightest area of it is.  I like the result very much. It is festive and goes with the rest of the feel of the painting.

Am I done?  Not quite.

I have stepped back from this collage painting for awhile. After looking and looking at this painting for a week or so, I decide to do several things. I outline the door and door opening with dark blue and green and orange.

Then using a dry fan brush, I scumble the door, itself, white, and the exterior walls around the windows, light blue. This helps the door stand out more and also subdues some of the collage papers that seem too busy for me. I also paint some of the lower woodworking trim with a light yellow mixture. This sets the area apart from the white door and blue walls.

I thought I was really, really finished with this painting. But, NO!  I decide to change two things and add one thing to my “Reflections Door”.

First, I change the door slightly and move the figure to the center of the door. I paint this friend of mine a gold color. Then I remove the legs on the framed reflections which are setting in the windows of the building.

Finally, I decide that the viewer is to participate in this collage painting. His/her reflection is placed in the lower center part of the picture plane. You can see the reflection as an upright silhouette of YOU!  

Now this painting is finished!

Adding more detail to my new collage painting
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Fine art collage artist is adding some additional pieces to a new contemporary collage painting

Now I am “brave” enough to tackle the whole collage painting, so I begin to add paper to the right side. The same kind of tactics I used on the left side, I now use on the right side.

At the top of the collage painting above the door, I add thin strips of black paper to outline part of the storefront. I used this method as I created my new contemporary collage painting because it helps to ground the building so the eye does not escape past those black lines. As a fine art collage artist it is important to lead the viewer along the lines that tell the painting’s story.

More paper continues to be added to the flowers in the sidewalk flower pots. Green leaves and twigs are added.

After I have completed adding more paper to the collage painting, I add white paint to some parts of painting. Creating new collage paintings is always a back-and-forth process between different mediums. I learned this through studying underneath talented, famous fine art collage artists.
The flower pots get more defined flowers by the addition of white outlines of flowers and leaves. The door is painted white in some areas. The two right hand reflections receive a touch of white.

I also add grey paint to the white paper on the sidewalk. I like that it has been hidden because it attracted too much attention. Now there is just a hint of the texture which does not pull the eye there. Black paint is added to the shadow side of the lamp post.

More textured paper is added to the window in the door to make it look like it might be a screened door.

The biggest thing which is added in this step is the name of the gallery to which this door belongs. Two signs are made - one saying “Reflections” for the top of the door and another one saying, “Gallery” for the area just below the screen/window of the door. To make these signs, I printed on solid xerox paper the words for the signs. Then I placed sewing pattern tissue paper over top of the words. I traced the letters onto the tissue paper using a thin blue magic marker. Then I glued the letters with the tissue to the door.

More paper is added here and there until I am beginning to feel like I am nearing completion.

Adding collage paper to my newest contemporary collage painting
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Collage painting has many elements to it. Applying different mix media materials at different times can create completely new collage paintings. Being a fine art collage artist I love playing with this layering process in my contemporary collage painting.

I use all sorts of textured papers. I have fun glueing pieces of paper very randomly and quickly to the canvas. I follow somewhat the architectural lines, but at times I overlap my paper across two different areas. Sometimes I feel like I am “painting” with paper. I apply it like I have a paint-loaded brush that I quickly sweep on the color with great abandon. I apply glue to the canvas, quickly attach the paper, and then apply glue on top.

My favorite papers are becoming the tissue paper from sewing patterns which has a light yellowish cast to it. I also like purple tissue paper which creates a very dark tone to the canvas when applied with the gloss medium and varnish.  It makes a nice shadow area.

I add papers to the flowers. Some of it is yellow paper with holes punched in it. I also add red and purple tissue paper.

One of the most significant additions to the collage painting canvas in this step is the addition of gold foil paper. Hinges on the door, plus the flowers see the addition of gold foil. It adds a touch of sparkle. In addition, silver foil is added to the lamp post where the highlights will be on the base of it.  

I find some pink paper which is a different tone than the pink underpainting. I use that around the door frame in order to call attention to that area.

More paper is added all over the left side of the collage painting. The reason I am not yet working on the right side is that there is so much going on the left side, I would feel overwhelmed if I tried to work on the entire painting. I will leave the right side for another work session.

I apply a textured white square paper to the sidewalk.  In a later step I will cover that over because I feel that it attracts too much attention.

One thing which I decide at this point is the creation of some resting points for the eye. I generally leave most of the sidewalk plain without collage paper. Also the windows where the dark blue has been painted will receive very little paper.t6f I feel that it is a good thing to have some places to rest.  Otherwise the whole painting would become so busy that it would be difficult to look at it for any length of time.

My new contemporary collage artwork is taking shape - I love being a fine art collage artist!
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Fine art collage artists have different ways of applying their mixed media materials onto their new contemporary collage artworks. For me I like to mix things up from collage painting to collage painting. For this particular piece I makes passes with paint prior to applying mixed media materials.

I add white to the door and storefront and yellow paint in places where there is trim around the bottom part of storefront. I also start to add flowers to the pots and baskets. The sidewalk is painted a soft grey. I use light blue to create depth and three dimensions to the windowsills. Also there is a light which shines down from a place just above the left hand side of the door. I add a dark blue to the inside of the windows. Finally I add dark lines to the windows and architectural features to show depth in the construction of the storefront and door. These dark lines are shadows on door trim or on the trim around the windows, etc. My first pass with color is complete.

I add more colors to the flowers. I want the flowers to be really colorful.  They will add some interest to the composition. More white is added to the door and walls. Finally the lamp post is defined better with dark lines.

The reason Step Six has a yellowish cast to it and Step Seven does not, is that Step Six was taken with less light. The day is getting long and the light is more subdued here. Step Seven was taken at the beginning of the day.

Next I being to add collage materials!

Fine art collage artist creates with a new contemporary collage style
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Last week I introduced my new series of contemporary collage artwork. This week I begin the process of explaining my methods and how I created my new collage painting - Reflections Door.

As a fine art collage artist I am always trying to invent new styles for my work. This contemporary collage painting created with mixed media materials was an incredible fun experience. This first step is always the same for my artwork - creating a black and white study.

I complete this 6” x 9” black and white study on greyed paper using charcoal pencil, white charcoal and white pastel. I am following a photograph of a door in a town where I once lived. It is a white door and means it is a gateway to the soul and to the purest part of one’s being. I have set up mirrors like works of art in three of the windows. In each mirror is a reflection of the figure standing in the door. These reflections send back to the figure knowledge about his soul and being. This particular door is called “Reflections Door” and is the entrance to “Reflections Gallery.”

Next I beging the process of applying mixed media materials to my new collage painting. I glue sawdust down to the 24” x 36” gallery wrapped canvas. I decide to leave the space in the middle relatively smooth while the areas on the left and right side are covered with sawdust. As always I use Liquitex gloss medium and varnish as my go-to glue for this messy job of glueing down

I debate, also on what color paint to use for the outlines of the door and storefront. Blue comes to my mind. I don’t know why but because the door is white, blue seems to be the natural color to use. As I go through the pieces of mixed media materials that I would like to incorporate in my new contemporary collage painting I think blue will show up well against the pink background. I intend to draw out the composition using blue paint instead of a pencil or charcoal.

I start to measure the placement of the door on the black and white study, then multiply the measurements of the study by 4. That is my multiplier. If my study is 6” x 9’, I need to multiply both of those numbers by 4 in order to get the measurements of my canvas which is 24” x 36”. So every measurement on my study gets multiplied by 4 to arrive at my measurements on the canvas.  

With blue paint and brush, I draw in the door first, then add the rest of the building, the sidewalk, and light post. I draw in the figure standing in the doorway. I add the flower baskets on the windowsills and also the two flower pots on the sidewalk. Finally I add the easels with the reflections of the figure in three of the windows. My drawing is complete.

Drawing with a paint brush is not done without caution. It is difficult when doing it this way. Mistakes can not be fixed easily. Any error is corrected by painting over the errant marks with my pink paint which I used for the underpainting. This is much more difficult than if drawing with pencil where an eraser can be used. The advantage to drawing with paint is that it will be interesting to let some of the blue show through on my finished painting as well as the pink underpainting. It will add a depth not obtained with a pencil drawing where I would want the pencil marks to be covered with paint.sawdust.

After the sawdust dries, (about a day), I am able to cover the surface with white gesso. I carefully cover up the big hunks of sawdust with the gesso. I want to be sure to get into every nook and cranny.

Fine art collage artists before me and after me will all have the same questions that are going through my mind - what color would I like for my underpainting. But I decide that would make the painting a cool one. Not exactly what I had in mind. I want my painting to be warm and friendly. I decide on a pink color.  It has warm overtones and will be an effective color for an underpainting. I mix up red-purple with white gesso until I get the exact value of pink. Not too dark and not too light.

Next week I’ll get into the first application of paint!

Creation of new collage paintings by a fine art collage artist
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New contemporary collage artwork!

I am so excited about the new contemporary collage paintings coming off my easel. My new studio has created quite a stir in my creative self and I am venturing out into the world of doors, buildings and people. Yah!

I recall my university class in linear perspective. We had a grand time drawing buildings, ramps, stairs, archways, rooftops, to name a few of the penciled constructions we made. I thoroughly enjoyed this class. So now, I am using my skills in perspective to draw doors and storefronts and buildings of all sorts. The sky is the limit. I have many, many black and white studies completed which are awaiting a turn at a blank canvas.

I also am going to include figures in my work. They may appear alone or along side the door or building. I am excited to draw these figures from my imagination. They may resemble friends or strangers or whomever I feel like drawing. I like to pretend that I am facing the person I am drawing and then I draw all the features associated with that person. They are almost like caricatures, but not quite. Their facial features are absent because I want you to place anyone you know into that face.

The quirky thing, though, about my doors, buildings and people is that they are skewed and come across the canvas as being crooked, slanted, exaggerated or minimized. This is how I interject humor into my paintings. To not have a precise and perfect rendition of a building or person is not sacrilegious. It is having fun with objects and people. It is giving them more personality, rather than cloning bland replicas of these things.

All of these subject matters for my paintings have a story to tell. For instance, doors have meaning. There are many colors of doors each of which has a specific meaning. There are open doors and closed ones. Broken ones and intact ones. Doors with lights shining from behind. There are revolving doors and doors which open at the top and not the bottom. Well, the list goes on and on. But the important thing to know is that each kind of door can mean something in either mythology, religion, literature, films, dream interpretation or psychology.  WOW!

Did you know that if you dream of a revolving door, you probably feel like your life is going around in circles.  Perhaps, you have an issue at work and you can’t seem to direct your associates attention to one particular detail.  Instead you find yourself having to explain and reexplain all over again so many times. Yes, you are going around in a revolving door and can’t get out.

Now the people I paint have their own personality and story to tell. I imagine my people being actively engaged with their surroundings and with others. Many of my people will be doing something, usually a simple thing. Perhaps a person will be eating or painting at an easel or reading a book. The sky is the limit.

So now you know, I do doors, buildings and people and I do skewed, funny looking ones. But how do I do them. What technique do I use? I continue to love painting with acrylics and doing collage with papers and other found materials.  My new work features these two tried-and-true techniques.

Come find out how I created “Reflections Door.” In the coming weeks I’ll describe my process!

Finishing my collage painting
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All done! Well - not yet. Two more steps before I finish my latest contemporary collage painting.

I decide to change the yellow seen in Step #16 to a softer version of yellow. This yellow is mixed with white and with a very, very small speck of blue added to it. It helps to cut down on the vibrancy of the yellow. I like this color, finally. Whenever I arrive at the end of a painting I am always looking at the fine details to see where I can make slight adjustments.

I lightly add some warm reds on the dark background. I also playfully add painted marks with light and dark turquoise. The larger ropes are scumbled again with this new yellow.

My signature goes on the bottom left and I think I am done…… but wait there is one more step.

One of the fun parts of creating fine art collage in abstract is that I get to decide what the orientation of the collage painting is - not the painting itself.

I decide to test out orientations of this painting. Almost immediately I know that a change in the painting’s orientation is needed. I think it needs to be turned counterclockwise 90 degrees. Suddenly it comes alive and I know that I am finished.

The viewer’s eye can follow the red path into and around the painting. Before I rotated it there was no access because the red line grew from the “ground” and never moved.  

I quickly remove the old signature and add a new one at the bottom left of this now vertical piece. The metamorphosis from ugly painting to a harmoniously and delightfully colored painting has just occurred right in front of my eyes. I think it has a mind of its own. It just had a hard time telling me what it needed.

I hope you enjoyed reading about my latest abstract fine art collage painting. As a contemporary collage artist I never know where mix media collage will take me - my next paintings are very very different and I can’t wait to share them with you!

Collage artists stepping back to step forward

All collage artists get to a point in their collage painting where they reflect and try to determine whether the path they have embarked on is one on which that they would like to continue. Famous collage artists and contemporary fine art collage artists come to this critical juncture and sometimes decide that they would like to make alterations to their collage painting. I am no different - I have come to a point in my collage painting where I decide that I need a little remediation.

I decide to take this remedial step of painting certain areas white in order to be able to later paint these areas in a way unaffected by the colors underneath.  It is like starting over from scratch in these white areas. Also, some of the paint is removed from some of the collaged papers by using rubbing alcohol and a paper towel.  A light rubbing with this solvent partially erases the color. This allows me to re-envision that collage painting.

I guess the famous collage artists that I studied under were right all along! - collage paintings have layers and layers - most of which only the fine art collage artist sees.

I complete two major things in this step.  First, I change much of the circle in the center by covering it with a yellowish green.  I also add pure yellow to a few edges. I scumble the thick rope with yellow.

Second, I paint the background areas with a very dark green.  I decide I wanted this main shape to stand out. If painting this main shape with bright colors isn’t working, perhaps those areas would stand out from an almost black background.  Sure enough, it did.

Finally more collage papers are revealed by using rubbing alcohol, in the areas where the color needs removed.

This has been a fun and unpredictable step in my newest collage paining. Enjoy!

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Collage painting with colors by fine art collage artists
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Fine art collage artist turns to color woes in contemporary collage painting

Many fine art collage artists use the element of color as attraction for viewer eyes. When I use color I use it for many reasons, and this is definitely one of them. That being said it can also prove to be very challenging to work with. When you’re working with different shapes, colors, and materials, deciding which attributes compliment each other requires skill and most importantly patience.

As I work through this process I add more yellow, yellow-green and a speck of white to my circle area on the collage painting.  Some greens begin to appear in various areas and I add several yellow dots under the title words.

I am searching, searching, searching for a color which will transform the entire collage painting from one of gaudy vibrancies into a more subdued color arrangement. I admit, as a fine art collage artist who has created pieces before - I am struggling because I am not sure which direction to turn or what color to try.  

Finally I add a medium turquoise wash over much of the background and over the horizontal bar extending to the left and right edges.

Famous collage artists have taught me that not all colors have to be present in the collage painting for them to be noticed. I add light and medium blues to the inner circle still maintaining the view of the title words across the top.  Much of the yellow has been covered including small dots of yellow. Also, the tone of the red-orange has been made more subtle.

It seems like every step provokes an obstacle.  Sometimes I feel like I am taking a stab in the dark.  I am apt to try anything, any color at this point.

Until next time!

Collage artist searching for colors
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One of the challenges of being a contemporary collage artist is trying to find the proper colors to accentuate my new collage artwork. Color is very important. Collage art is a visual art - it beckons the viewer to explore the canvas and find new hidden treasures.

Famous fine art collage artists all use colors along with their mixed media materials to bring the viewer on a journey into their creative being. In the following steps I want to take you on a journey - on my color wheel!

Unsatisfied with the meekness of the red-orange lines, I decide to widen and add to this colored line. I add a patch of orange to the inside of the circle which is a bit to the upper right of the center circle. I also scumble on a red-orange color on top of the two thicker ropes on both sides of the painting. I am beginning to search for a color scheme which I will like. This one seems too overpowering. I want to tone it down somehow.

In this step I tone down the bright orange color by changing it to a golden yellow. I color some of the paper at upper center. I also touch the raised circles with bits of yellow paint. Some yellow is scumbled on top of the thick rope. A bright red-orange is scumbled over the applied sawdust.

This color scheme is a triad using three primary colors. These three colors are evenly spaced around the color wheel. Am not really happy with this development in my painting. It appears to be too vibrant, something which I had hoped wouldn’t happen.

I hope you enjoyed the journey on my color wheel!

All Collage artists have stories behind their paintings.
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All collage artists have stories behind their paintings. From novice collage painters to famous collage artists, all who endeavor to create with multimedia materials have a ryhme or reason behind the placement of pieces and thoughts.

“Going to the Sun Highway” is titled after the famous roadway in Glacier National Park. After a recent visit to the area I was inspired by the way the sun appeared over the horizon and seemed to lead our road to infinity. The golden twine in this piece follows the road and is swallowed up by the sun which appears at the end of the highway.

As a collage artist I love to find inspirations everywhere I go. And I love to use everything (to a limit) to express these inspirations on canvas. Contemporary collage painting is a process and it all starts with an idea. Unlike conceptual paintings, my ideas are something concrete, something that I have seen and interpreted on canvas. I hope you enjoy.

Adding textures as a collage artist
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Collage artists have all been in positions of having to know when to stop the base layering and begin the textured layers that will be prominent in the final collage painting.

I, contemporary collage artist, find myself at this crossroad. I start adding layers and textured items to my new collage painting. As we begin to highlight segments I try to make use of different mixed media materials in differing sections of the new collage painting. Balance in important - otherwise the eyes will be stuck in one particular section and not wander - which, afterall, is the theme of my highway series.

During this process I try to add layers and materials that increase the amount of visual and textile textures. If there’s one thing I learned from the many fine art collage artists who I have studied under, it’s this - keep things interesting!

Self-made and manufactured collage papers are attached as well as colored papers and paper dollies painted violet.  A dark blue fluid acrylic is then used to make a spiral line around the center circle shape which goes out from the picture plane at bottom right.  Some of the sawdust protrusions within the center circle shape are topped off with an orangish red color, enough to add interest but not be distracting.

Additional light turquoise paint is washed over much of the painting.  Then a dark turquoise is added to two areas on the circle’s circumference.  Red-orange and orange fluid acrylic lines now travel around the circle. This paint is added in drops which often blend together into a solid line.  The tops of the ropes are lightly brushed with orange paint. It is more visible on the dark blue pieces. I try to maintain the lettering of “No Place To Go”.

In the close-up that I have placed in this blog you can see all the fun textures created from papers and colorful paints. A close-up view shows a lot more going on here than meets the eye from a distance.

As a contemporary collage artist - I’m still having fun. I hope you have enjoyed the read. Until next time!

Placing the Collage Painting pieces together
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As the collage painting begins to take shape I now have the pleasure of placing the mixed media materials onto the new canvas. Many fine art collage artists and contemporary collage artists use this period of assembly to define their edges and place the “story” of their collage painting on paper.

One of my favorite mixed media materials to work with as a contemporary collage artist is rope. Collage artists use rope to direct viewer’s eyes and to set the horizontal and vertical perspectives.

I have been looking at these huge pieces of rope which I acquired some time ago, wanting to use them in a painting.  Some of the rope is larger in diameter than a man’s thumb. It’s hard to tell what this rope might be used for. It might be used on boats and docks.  It couldn’t be for rock climbing because it is so large and heavy. Anyway, I decide to use it here. I collect samples of different rope sizes. I want to glue the pieces down next to each other in increasing rope sizes.  So this is what I have done on the left side of the painting. I begin with a very small diameter rope on the left and then continue to build up the sizes of the ropes as I moved towards the center of the painting. There are seven rows of different rope sizes here.  I also add a few rows on the right side of the painting in order to balance out the composition.

What a hard time I have glueing the ropes down to the sides of the canvas which is 2.5 inches deep.  The ropes do not bend easily at a right angle to the front surface of the painting. I end up slicing part way through the rope on the underside just where it begins to bend onto the side of the canvas.  After glueing with gloss medium and varnish, I tape down these ropes really well with artists tape. I let dry overnight before removing the tape. The result? Perfect.

Once the rope pieces are placed and dried I commence filling in the background with turquoise. The main circular shape is painted with a light turquoise, then warmed up with yellow and apricot colors.  The background is also warmed with a dark, rusty red. Black lines define the inner track running horizontally across the painting.  Finally the thinner ropes are painted a light turquoise and the larger ropes are painted a dark turquoise.

Collage art creation has sped up and now the new piece is starting to come together!

Collage artist completes the base layering
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As I move onto the application of base layers on the collage painting I cross the threshold of where we see the underlying areas of canvas and enter the phase of visible collage painting.

Before I can begin this phase I have to consider the various colors I want to emphasis on the base layer. Contemporary collage artists use this base layer to set the foundation of the collage painting. Because of the importance of the base layer in collage mixed media I take this step slowly.

One of the most intense blues there is, phatholo blue (or turquoise), is applied in certain areas using a fluid acrylic. In some areas the fixative resists coverage with the fluid acrylics. I will need to add more opaque painting to these areas.

Most of the base underpainting is completed in this step. An intense black is used in the background, while the area where the title is, is kept clear of most paint colors. I am debating exactly how I want to handle this important area. I decided to leave it clear of color right now.

After this is all finished I am excited to start one of my favorite stages of collage painting - rope and fiber. Check back for updates!

Contemporary Collage Artist begins to paint
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Once I have laid out the bare layers of my new mixed media collage art piece I begin the fun of layering different parts of my painting. As a contemporary collage artists, I find this part very exciting. The layering allows me to just be free and place items on the canvas that might get covered up and never revealed.

Famous collage artists like to hide pieces within their collage paintings. I always reveled at trying to identify the many pieces that were meant to be hidden. I take this one step further by scribbling saying and phrases and covering them up forever - making them a part of the painting - unseen, yet integral.

Sawdusting is usually an important early step in the progression of my collage painting.  I glue sawdust down with gloss medium and varnish. I wait until it dries before beginning the next step.  Doing this glueing down of sawdust is a difficult and hard process. The brush gets exceedingly dirty and is hard to clean afterwards.  But the great effect outweighs the nuisance and so I continue to sawdust most of my work.

Many collage artists I have spoken with have the same feeling about certain materials - the end-result outweighs the effort.

After a layer of sawdusting on my new contemporary collage painting I begin writing and scribbling all over my painting.  I use a stencil to block in, with charcoal, the words, “no place to go.”  I mark down spirals and other words which come to my mind relating to the title.  I spray all these graphics with fixative. There will be many options later on in the development of this painting.  I can choose what I want to reveal or not, after I cover these areas with paint.

I hope you enjoyed the next two steps of creating my newest contemporary collage painting. Be on the lookout next week as I begin the base underpainting.

The Beginning of a Collage Artists creation
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In creating a new collage artwork I always like to visualize the layering of the mixed media materials before I place them on canvas. Painting in contemporary collage art allows me to utilize my creativity and spontaneity from conception to execution.

A simple value study is created with compressed charcoal, charcoal pencil and white charcoal pencil.  I like the lines and shapes and think it is simple enough to be a good candidate for an interesting contemporary collage painting. I decide arbitrarily to make this painting 24” x 36”.

After i have decided on the basic format of my new mixed media collage painting I begin to draw out the primary sketch on canvas. Flowing and easy-going lines and shapes are achieved in this step. I want these elements to be free and easy to look at and not stand out in an unusual way.

There is some overlapping of shapes and there are 3 stacks (or layers) in this particular painting. The 3 stacks look very much like highways stacked one upon the other. In real life, some highways can sport 5 stacks, but that is about the limit on the number of layers in a highway system. Three stacks is probably the limit in what I can successfully do in a painting. I want my painting, to have simple, yet bold shapes without being too intricate. I think this drawing will achieve this.

As the lines and shapes begin to take rudimentary shape on the canvas I get excited about the new contemporary collage artwork that I am creating. Fine art collage requires a step-by-step process of creation and I am thrilled to begin this process once again!